Why Is This Good?
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Why Is This Good?
The Naples Writers' Workshop presents lessons from successful writing
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170 Episoden
168: “The Catbird Seat” by James Thurber
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167: “The Grasshopper and the Bell Cricket” by Yasunari Kawabata
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166: “Why Don’t We Just Kill the Kid in the Omelas Hole” by Isabel J. Kim
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165: “The Nine Billion Names of God” by Arthur C. Clarke
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164: “Hollow” by Breece D’J Pancake
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163: “The Enormous Radio” by John Cheever
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162: “A Conversation with My Father” by Grace Paley
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161: “A Manual for Cleaning Women” by Lucia Berlin
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160: “Everything That Rises Must Converge” by Flannery O’Connor
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159: “Wood Sorrel House” by Zach Williams
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158: “The Garden of Forking Paths” by Jorge Luis Borges
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157: “Found Objects” by Jennifer Egan
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156: “Two Words” by Isabel Allende
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155: “The Piano Teacher’s Pupil” by William Trevor
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154: “Nine Lives” by Ursula K. Le Guin
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153: “The Veldt” by Ray Bradbury
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152: “How to Be an Other Woman” by Lorrie Moore
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151: “The Daemon Lover” by Shirley Jackson
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150: “Babylon Revisited” by F. Scott Fitzgerald
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149: “The Martyr” by Mary Gordon
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148: “A Visit of Charity” by Eudora Welty
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147: “We Can Remember It for You Wholesale” by Philip K. Dick
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146: “Uncle Wiggily in Connecticut” by J. D. Salinger
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145: “Unaccompanied Sonata” by Orson Scott Card
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144: “The Werewolf” by Angela Carter
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143: “Zombie” by Joyce Carol Oates
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142: “The Wind” by Lauren Groff
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141: “These Golden Cities” by K. David Wade
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140: “Non-Zero Probabilities” by N. K. Jemisin
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139: “A Telephone Call” by Dorothy Parker
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138: Curtis Sittenfeld vs ChatGPT
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137: “The Husband Stitch” by Carmen Maria Machado
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136: “The Celestial Omnibus” by E. M. Forster
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135: “The Complete” by Gabriel Smith
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134: “Sour Milk Girls” by Erin Roberts
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133: “An Outpost of Progress” by Joseph Conrad
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132: “The Island of the Immortals” by Ursula K Le Guin
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131: “Jeffty is Five” by Harlan Ellison
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130: “Barn Burning” by William Faulkner
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129: “Separating” by John Updike
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